IMGP0670So far so good with these fabrics. The one on top I’d describe as a fine sweater knit – black and grey, with silver threads that turn into glitter and get everywhere when cut. I scored 4m for $10, 100% unknown fibre. The one on the bottom is a very plain poly knit, to be used as lining. I’d bought it a while ago with a different project in mind; I’m glad that it’s not quite as icky as I remembered it. I usually avoid synthetics like the plague, but this is for costume and I’d be surprised if I spend more than 10 hours wearing it over the course of a year.

I’m working on getting the main piece (and, with some luck, a secondary piece) done by June 22, when I have a solo at our student show.


Berroco Captiva yarn (label says the colour is 5507, but it may have recently been renumbered 7507 – Polished Iron), sequinned fabric in a stormy grey, liquid metal fabric in straight up silver.

I have some ideas for some coordinating costume pieces that I’d like to make out of this stuff, but they may or may not happen. My solo is in a style other than my usual, and our studio has no other performers and no classes in this style. If I don’t get my ideas made before this show coming up, there’s not much reason to make them afterward – unless I go out of my way to look for more opportunities to solo. The costume for my usual style is very colourful, so it could be hard to integrate any of these ideas into regular rotation. Still, I’d like to see them take form.

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oh god, more squares

polar bear quilting cotton

polar bear quilting cotton

I got a bee in my bonnet about making furoshiki out of seasonal prints so I could match the print to the contents of the bundle. I started looking for appropriate prints and had difficulty finding anything that I particularly liked. I eventually ran across a polar bear print at the quilt shop that is walking distance from my house. (So much better than running the gauntlet out to big-box/excessive-traffic land.) I’m now putting away my winter gear, so it all came together nicely.

You know that saying “idle hands are the devil’s tools”? Well, another tool in that box is the rolled hem foot. I’m doing well if I can maintain the same number of curses per hour as regular sewing – it’s usually at least double.

sometimes the rolled hem foot works nicely...

sometimes the rolled hem foot works nicely…

It’s tricky to keep the proper amount (width) of fabric feeding through. Too much, and there’s no room in the hem for the raw edge, which peeks out the side. Too little, and all you get is a single fold with the raw edge sticking out, or it looks good and the raw edge is folded under but it didn’t get caught in the stitching.

... and sometimes, not so much

… and sometimes, not so much (but the really egregious bits, I redo)

My neighbourhood’s annual arts festival took place last week, culminating with the street fair – arts and crafts shopping – on Saturday. For about 10 seconds, I thought about having a booth and making furoshiki to sell, but that way madness lies. For one thing, I get so bored with hemming squares that it’s hard to do more than one in a row.

so instead of vending, I went dancing

so instead of vending, I went dancing

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hello stranger!

looking south at about 4pm, the sun is already below the rooftops

looking south at about 4pm, the sun is already below the rooftops

Hello and Happy New Year! It’s been fairly quiet around here for a while now.

Blogging about my sewing (or not blogging about my sewing, or not blogging because I’m not sewing, as the case may be) has made me sufficiently mindful that I now at least have some insight as to why I’m not sewing (and/or blogging).

It turns out that the number 1 issue that I’m dealing with is a subtle fatigue. This seems to be a health thing but I don’t have any conclusive info. The wheels of inquiry have been set in motion at least: blood tests reveal nothing of interest; sample meds for one possible issue have had little or no effect; and I’ll be having a test for sleep apnea, probably in May.

So how is this relevant to sewing? As a P (as in INTP), I tend towards being indecisive at the best of times, and fatigue takes that to a whole new level. I find that there is generally no point trying to do any kind of problem-solving in the evening. Therefore, fitting (for example) can only be accomplished during daylight hours, which limits me to weekends and holidays. Further, I tend to be unproductive in the evening because I’m already wiped out.

Another, blog-specific, difficulty is getting decent photos. Indoor photos are a challenge: in this rather dark house, that activity too is limited to prime daylight hours. Outdoor photos are impossible: I might try it around 0°C, but at -20°C it’s a firm No. (At this moment, it’s -32°C, and feels like -50 with windchill.) For one thing, you wouldn’t be able to see my makes under my parka.

But I have success to report! I have managed to fit a T-shirt pattern to the dizzying standard of Good Enough! At the moment, all I have to show for it is a pile of mock-ups, but production versions are forthcoming.

So here’s a random photo of my cat instead:


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dye job

I’ve been rather uninspired by some of my clothes in part because the colour of them doesn’t quite work for me. I figure I’m a soft summer meaning that colours should generally be cool and soft, but some of my items are too bright/clear to be especially flattering.

Rit powder dye 30 Navy Blue, which I would call "indigo"

Rit powder dye 30 Navy Blue, which I would call “indigo”

I finally decided to try dyeing some items. I’ve done very little dyeing so far, so it took me a while to psych myself up. I used Rit powder in Navy Blue.

What I started with:

before; shirts 3 & 4 are wet in this photo

Before: shirts 2 & 3 are (were) essentially the same shade; shirts 3 & 4 are damp here

1. 100% cotton, somewhere between sky blue and cornflower blue (electric indigo?)

2. 100% cotton, purple verging slightly toward red (mulberry?)

3. 51% lyocell, 44% cotton, 5% spandex, purple verging slightly toward red (mulberry?) (almost exactly same colour as the previous shirt, maybe slightly less red; looks darker in the photo mostly because it’s damp and #2 isn’t)

4. 60% cotton, 40% modal, bright red with a touch of pink (watermelon, carmine? this one is also damp in the photo)

Method: The dye packet (32g) was enough to dye 500g of fabric, and each shirt  is about 250g. For dark colours, they advised to double the dye amount. I used the whole packet, stove-top method, and added 250g salt per the instructions for cotton. So this was the correct amount to dye one shirt dark, or to tint two shirts.

After: shirts 1 & 3 have been dyed, 2 & 4 have not

After: shirts 1 & 3 have been dyed, 2 & 4 have not

I started with shirt #3, one of the purples. It became a lovely dark eggplant/aubergine (it has the darkness and slight muddiness of navy, but reads as purple), which is darker than I had in mind but I’m quite happy with it anyway.

Then I threw in shirt #1, the blue. It was in the pot for about 20 min and I was less attentive to it than the first shirt but the colour came out even. My goal was to dull the colour somewhat without making it terribly dark. It became light navy blue (if that isn’t an oxymoron), which is 2-3 shades darker than before and basically what I had hoped for.

I didn’t dye shirt #2 – I wanted to see how the other purple shirt turned out first. I also didn’t do #4, the red one; since the original colour is so different from the dye and I lack dyeing experience, I figured it would be wise at this point to try a colour closer to the original.

While putting together this post, I found a handy website that allows you to search for colours using a colour chart rather than text:

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Japanese old man trousers

There have been a few changes around BST since my last post:

  • I bought a new point-and-shoot camera (this might have happened shortly before the last post)
  • I bought a remote to use with said camera
  • the snow melted
  • *** my husband is back from the UK over the summer ***
  • I got a new laptop

The problem with the old laptop was that the monitor crapped out. I’m told that I can plug in an external monitor and do what I need to do, but I haven’t gotten to that yet, so my data move (including photos) is still incomplete. Nonetheless, I feel like I have what I need for blogging that is slightly less infrequent than it was.

I haven’t been completely idle sewing-wise in the interim. For one thing, I rediscovered my samue (a.k.a. samui) from my days of teaching in Japan. This is very much like a martial arts uniform with a few differences. Most obviously, the fabric is indigo rather than white. Mine also has a fine waffle weave, but I suspect this is not the norm. The jacket has a patch pocket on the front (which I imagine to be used most often for a pack of ciggies). The trousers have elastic at the waist (the uniforms traditionally tie but they seem mostly to be elastic too these days) and at the ankles, and side slant pockets. They also have an odd sort of fly: there is a front opening that doesn’t go all the way to the top, because the elastic goes all the way around, and the opening closes with a single button on a hidden button placket. (Kind of like men’s underwear with the escape hatch. Which, I am told, no one actually uses, so why do they even bother? Anyway.) The trousers actually rather resemble sweatpants (tracksuit bottoms) but made of a woven rather than a knit.

I associate this outfit with old Japanese men on the basis of a sample size of one: my former landlord. Who smokes.

Around the time that it ceased to be winter this year, I started wearing the jacket as a light housecoat in the mornings. One day when doing some gardening, I figured that the pants would be an improvement over anything else in the closet in terms of protecting me from mosquitoes. The only problem was that the rise was so long (low-rise these ain’t) that either the crotch dragged around my knees or I had to roll the waistband three times. I figured I would get more wear out of it if I altered it. Rather surprisingly, the inseam length was fine, so alterations were only required at the top.

samue pants before

samue pants before

(Fit photos reveal posture issues that are otherwise much less obvious.)

samue pants before: note super-long crotch length

samue pants before, with the waist about where I’d want it: note super-long crotch length

First I opened up the waist casing and removed the elastic. Then I stitched up the fly; I had considered removing some of the layers (all interfaced) but decided to leave it as is because I would have had to engage in significant surgery. I also stitched up the pockets and cut off the pocket bags, since not much of an opening would be left and they’d be unusable anyway. Then I put on the pants, held up with a length of elastic tied around my waist, to see about marking the new waistline. I ended up whacking off quite a lot; my waist is lower in the front, so it was about 5″ at the front and 4″ at the back.

One odd thing that I noticed was that, in addition to the elastic, there were also small pleats at the front: one on each side, with a depth of 1/2″ (take-up of 1″). If one can put pleats in an elastic waist, surely darts are no worse? And if you can do it on the front, why not the back?

Because of my shape (slim with booty), when I tried on the pants with the elastic, the back was a wrinkly mess. I decided to try putting in a couple of darts on each side, like regular dress pants. The waffle weave made it easy to follow the grain to transfer the darts on one side to the other side, which I did meticulously. But when I tried them on again, they didn’t look right. I had assumed that the pants were cut on grain. Uh, no. I made the darts relatively even by eyeballing them and called it good.

Rather than just fold over the bulky fabric to make the casing, I cut a separate piece from scrap broadcloth for the inside.

samue pants after

samue pants after

While taking the photos, I noticed something that I hadn’t seen before, which is that I probably took too much width out in the back darts to be in proportion to the bagginess of the rest of it, so the volume kinda puffs out at the bottom of the darts. I can live with the pants the way they are and am not going to make any further adjustments: they’re slouchy work/lounge pants that I don’t intend to wear anywhere more public than my front yard. However, I think I can use this darting technique on other drawstring pants, so I’ll file this bit of info for later. I also think I may have shortened the CB a smidge more than would have been ideal.

samue pants after: awkward amounts of volume

samue pants after: awkward treatment of volume in the back

The pants are great for gardening, sitting on the couch with a book on the weekend, and at some point when the weather gets cold again, I will probably try them out as thermal pantaloons (under a skirt) for dance.

I can’t say I’m big on mending, alteration and refashioning, but when confronted with an item that is unwearable because of fit or being worn out, it becomes a very low-risk project to my mind. If I had made these pants from scratch, I suspect I would have been rather disappointed by the final fit that I achieved. But I took an item that was unwearable and made it quite serviceable. (This attitude would probably serve me well for from-scratch sewing too – will have to try to remember this.)

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new process and forward motion

It’s been almost two months now since I instituted my new approach to finding time for sewing. Because there are always lots of little decisions to make when sewing, and I’m generally tired and indecisive in the evening, I prefer to sew with “morning brain”. That means that weekday evenings are out. Also, I always feel like there’s something else I should be doing on a Saturday morning, like cleaning or provisioning. So I’ve assigned sewing to a three-hour slot on Sunday morning (I give myself 3 hours from whenever I get started, even if it’s after 10).

I’ve assigned other weekend tasks to other time slots, so not only do I allow myself to sew during sewing time, but I also don’t permit myself to do the other stuff. I don’t have to worry about spending too much time on sewing either, since I have a “budget”; if I want to come back sewing after I’ve done my other tasks, I can, though I haven’t yet.

This system has been working well for me so far. One thing I’ve noticed is that once I start sewing, I don’t want to stop. I originally assigned the slot to sewing and laundry, but I’ve been noticing that I haven’t wanted to count laundry time against the total. It’s is a bit of a surprise for me, since my prior routine was: think about sewing, decide I was too tired, don’t bother starting.

I’m also getting a better idea of how much time I spend on projects. (A lot.) Research often takes a lot of time, and I take my sweet time cutting too. I could speed up if I wanted to, but I don’t think I want to. This isn’t a race, and it isn’t an attempt to create a vast, teetering pile of stuff. I have no desire to transform the stash (which is by definition essentially unusable as is) into a pile of garments that I don’t like enough to actually use. Why waste my time? Sometimes my research crosses the line into agonizing, but as long as I’m learning and moving forward I think it’s all good. If I keep working on a particular fit or skill, eventually I’ll get there and I won’t agonise any more.

Actually, a nice side effect that I wasn’t anticipating is that when I have three hours to fill with sewing, I agonise a little bit then get bored with it, which seems to push me to make a decision faster than I would have if I’d completely changed gears. This is good.

I have two current projects. One doesn’t look like anything yet. The other one is almost there so I think I’ll wait for the big reveal. However, to pique your interest, here are the fabrics I’m working with.

Top: medium weight linen in “wisteria”. Bottom: polyester knit, background is plum.

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mending: winter coat

My winter coat isn’t perfect, but I really like it. It’s wearing out but I would rather mend it than try to replace it. (Someday I’ll make myself a new winter coat, but that day is not today.) This is a Swiss army surplus coat, probably for a cadet.

The cuffs fold back deeply, which is one of the details I like about it.

This puts a fold at the wrist, which is subject to a lot of wear. The left cuff had some holes but the right was worn all the way through along almost half of the cuff. I don’t usually continue to wear items that are this damaged, but it’s my only coat and in this climate I wear it daily about 5 months of the year, most of the time with mitts, which helps explain the wear pattern.

I decided to put a long strip of fabric on the inside of the fold and stitch it to the cuff using a triple-zigzag stitch. I had two pieces of wool fabric that would work colour-wise. One was heavier – a melton I think. The other was a flannel. When I put the melton along the inside of the fold, it seemed too thick, so I used the flannel. Although the colour of the patch looks quite different, it’s actually very similar, just more saturated.

The thread was a reasonable match for the coat (though still far from perfect), and it helps the patch blend in the places where it shows.

(The dark grey visible inside the sleeve in this last photo is the evidence of the patch to the lining that was done in 2006 ago. I got someone to do this for me when I was overseas and away from my sewing machine. Must be polyester because there’s hardly any wear. The same can’t be said for the cotton lining that it’s patching.)

(This is the best I can do for an action shot with my current photography situation.)

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